Truth Is Golden - 208 | Para-Architecture w/ Nic Granleese
Photo courtesy of the guest.
This podcast was initially published in November 2018.
Aussie architect and internet entrepreneur Nic Granleese, did his interview with us during his last visit in Toronto. He talked about his shoeless upbringing in rural Australia and how during a sabbatical early on in his career, he decided to hop on his motorcycle, quit architecture and become a photographer. Subsequently, his path led him to create bowerbird, a growing online platform that links architects with publications. Listen in to hear Nic speak about his path.
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About the podcast: The intent behind our podcast series "Truth Is Golden" is to look at renowned creatives and their work with a critical eye. We aim to ask deep questions in order to peel back the layers of marketing, clever one-liners and sexy branding. We want to show the world what it truly takes for genuinely creative forces to find their own voice build a career on what is very often nothing more than a drive to do things differently. We want to hear about the successes, the failures, the inspirational stories and the lessons gleaned from all of it. We want the truth, so that we can inspire other people to fulfill their own creative aspirations and in the process contribute to making the world a better place.
{PODCAST RERUN} Truth Is Golden - 207 | Bewildered by LA w/ Frances Anderton
PODCAST ALERT! Check our latest interview with the funny and articulate France Anderton, host of DnA on the radio station KCRW in Los Angeles.
Photo courtesy of the guest.
A brief 2022 take on this podcast: When I started podcasting 5 years ago, I had no idea what I was doing. I had an idea of what I wanted to accomplish, but on the technical side, I sucked and I was also terrified to record myself for the public to hear. “What are they going to think of me?” was a constantly recurring mantra in my head and I would routinely get the jitters in the hour leading up to an interview.
Four years on, I feel much more positively about the whole endeavour, but if I ask one thing of you is this: don’t judge the execution too harshly and instead focus on the content of the conversations. I think after all these years they still hold tremendous value.
For the last episode of our series on LA creatives, I interviewed Frances Anderton, former host of the NPR radio show Design and Architecture on the Los Angeles radio station KCRW. Frances talked about her upbringing in the UK, her early aspirations to be an architect, how she fell in love with broadcasting and Los Angeles in the early 90’s, as well as living in a Frank Gehry-designed 1960’s apartment building.
Powered by RedCircle
About the podcast: The intent behind our podcast series "Truth Is Golden" is to look at renowned creatives and their work with a critical eye. We aim to ask deep questions in order to peel back the layers of marketing, clever one-liners and sexy branding. We want to show the world what it truly takes for genuinely creative forces to find their own voice build a career on what is very often nothing more than a drive to do things differently. We want to hear about the successes, the failures, the inspirational stories and the lessons gleaned from all of it. We want the truth, so that we can inspire other people to fulfill their own creative aspirations and in the process contribute to making the world a better place.
{PODCAST RERUN} Truth Is Golden - 205 | Loosen Up a Little w/ Paul Petrunia
A brief 2022 take on this podcast: When I started podcasting 5 years ago, I had no idea what I was doing. I had an idea of what I wanted to accomplish, but on the technical side, I sucked and I was also terrified to record myself for the public to hear. “What are they going to think of me?” was a constantly recurring mantra in my head and I would routinely get the jitters in the hour leading up to an interview.
Four years on, I feel much more positively about the whole endeavour, but if I ask one thing of you is this: don’t judge the execution too harshly and instead focus on the content of the conversations. I think after all these years they still hold tremendous value.
In episode 206, the third instalment in our series on LA creatives, Paul Petrunia talked about his upbringing in the Canadian prairies, how Arthur Erickson influenced him to be an architect, his ill-fated career as a teen ballet dancer and his cultural confusion as an expat torn between American and Canadian cultures. Going back to the early Internet days when he started a dot-com business in the middle of the lake late 90's boom to today and his life as the man behind the popular Architecture website archinect.com.
Powered by RedCircle
About the podcast: The intent behind our podcast series "Truth Is Golden" is to look at renowned creatives and their work with a critical eye. We aim to ask deep questions in order to peel back the layers of marketing, clever one-liners and sexy branding. We want to show the world what it truly takes for genuinely creative forces to find their own voice build a career on what is very often nothing more than a drive to do things differently. We want to hear about the successes, the failures, the inspirational stories and the lessons gleaned from all of it. We want the truth, so that we can inspire other people to fulfill their own creative aspirations and in the process contribute to making the world a better place.
Credits:
Post-Production: Ryan Aktari
Music credit: Bounce Trio, Star Animal, 2014.
Organ & Keys : Matthieu Marthouret
Ténor Sax : Toine Thys
Drums : Gautier Garrigue
Composed by Toine Thys (copyrights SABAM).
Buy it on BandCamp :
weseemusicstore.bandcamp.com/album/smal…big-rivers
More info and music here :
www.youtube.com/user/weseemusic
www.matthieumarthouret.com
www.facebook.com/MatthieuMarthouret.Music/
Archinect + Rvltr = Power
Still from the Fountainhead (Gary Cooper and Patricia Neal).
I’m very proud and humbled to announce that I’ve started contributing editorial features for Archinect as a regular contributor. The first article is a revisit of a past article that was posted here a while back on the importance of vetting your clients. Check out it here and leave us a comment!
Stay tuned for our next feature on one of the world’s oldest internet architecture platform.
Truth Is Golden, Ep. 207 - Bewildered by LA, with Frances Anderton
PODCAST ALERT! Check our latest interview with the funny and articulate France Anderton, host of DnA on the radio station KCRW in Los Angeles.
Frances Anderton, host of DnA on KCRW.
For the last episode of our series on LA creatives, I interviewed Frances Anderton, host of the NPR radio show Design and Architecture on the Los Angeles radio station KCRW. Frances talked about her upbringing in the UK, her early aspirations to be an architect, how she fell in love with broadcasting and Los Angeles in the early 90’s, as well as living in a Frank Gehry-designed 1960’s apartment building.
About the podcast: The intent behind our podcast series "Truth Is Golden" is to look at renowned creatives and their work with a critical eye. We aim to ask deep questions in order to peel back the layers of marketing, clever one-liners and sexy branding. We want to show the world what it truly takes for genuinely creative forces to find their own voice build a career on what is very often nothing more than a drive to do things differently. We want to hear about the successes, the failures, the inspirational stories and the lessons gleaned from all of it. We want the truth, so that we can inspire other people to fulfill their own creative aspirations and in the process contribute to making the world a better place.
Truth Is Golden ep. 206 - Loosen Up A Little, with Paul Petrunia
In episode 206, the third instalment in our series on LA creatives, Paul Petrunia talked about his upbringing in the Canadian prairies, how Arthur Erickson influenced him to be an architect, his ill-fated career as a teen ballet dancer and his cultural confusion as an expat torn between American and Canadian cultures. Going back to the early Internet days when he started a dot-com business in the middle of the lake late 90's boom to today and his life as the man behind the popular Architecture website archinect.com.
About the podcast: The intent behind our podcast series "Truth Is Golden" is to look at renowned creatives and their work with a critical eye. We aim to ask deep questions in order to peel back the layers of marketing, clever one-liners and sexy branding. We want to show the world what it truly takes for genuinely creative forces to find their own voice build a career on what is very often nothing more than a drive to do things differently. We want to hear about the successes, the failures, the inspirational stories and the lessons gleaned from all of it. We want the truth, so that we can inspire other people to fulfill their own creative aspirations and in the process contribute to making the world a better place.
Credits:
Post-Production: Ryan Aktari
Music credit: Bounce Trio, Star Animal, 2014.
Organ & Keys : Matthieu Marthouret
Ténor Sax : Toine Thys
Drums : Gautier Garrigue
Composed by Toine Thys (copyrights SABAM).
Buy it on BandCamp :
weseemusicstore.bandcamp.com/album/smal…big-rivers
More info and music here :
www.youtube.com/user/weseemusic
www.matthieumarthouret.com
www.facebook.com/MatthieuMarthouret.Music/
FLASHBACK: Royal Saltworks | Saline Royale d'Arc et Senans
Entrance to the director's building | Entrée de la maison du directeur
Version Française ci-dessous
Back in February this year, I visited the Arc et Senans Royal Saltworks in the Franche-comte region of France. The complex was designed by Claude-Nicolas Ledoux in the late 18th century. It was intended as a salt processing facility for briny spring waters from the surroundings.
The complex was designed hierarchically in a semi-circular plan that was to form part of a larger city imagined by Ledoux, plan that never fully came about. It was completed at a time where traditional, labour and ressource-intensive means of production were starting to be replaced by thanks to the nascent industrial revolution, which made the saltworks obsolete almost from the beginning.
It never produced to the extent it was supposed to and about 100 year after opening, salt production permanently ceased, not being able to compete with cheaper sea salt brought by rail.
Nonetheless, Ledoux designed a very innovative complex for the time, rationalizing the organization of the salt production, housing all the workers on-site, essentially forming a self-contained community. Indeed, salt was then a very coveted commodity as it was used to preserve food and was heavily taxed by the Ferme générale. Housing all workers on-site was a way to control production and prevent the smuggling of salt outside of the facility.
Of note, at the Maison du directeur, are several architectural features that separate the building from the rest of the complex, to show its importance. The columns are made of square and cylindrical sections which create very photogenic shadow plays. The central location, unique architectural feature and the oversized oculus in the pediment makes it crystal clear how important is that building to the plan.
Ledoux’s legacy ended up being mostly made of unbuilt projects, the saltworks being on of the few built projects that still stand to this day and allows us to see how ahead of his time he was.
Director's building | Maison du directeur
Au mois de Février 2015, j’ai eu l’occasion de visiter la Saline Royale d’Arc et Senans, dans la region Franche-Comté. L’ensemble conçu par Claude-Nicolas Ledoux au 18eme siècle fut â l'origine une usine de production de sel, utilisant les sources saumâtres locales pour en extraire cette substance très précieuse.
Le projet a été conçu suivant un plan semi-circulaire ou toutes les fonctions sont hiérarchisées et placées en fonction de leur importance. Il fut conçu a l’origine comme faisant partie d’une ville conçue par Ledoux qui ne fut jamais complétée. Le complexe incorporait des méthodes de production proto-industrielles qui furent mises en place un peu trop tard, la revolution industrielle ayant commencé peu de temps après, ce qui rendit les salines obsolètes des le depart.
La saline ne produisit jamais autant que prévu et fût fermée tout juste 100 ans après sa creation, la concurrence avec le sel de mer, livré par chemin de fer, étant trop forte.
Ledoux néanmoins conçût un ensemble innovant pour son époque, rationalisant la production de sel, incluant des logements pour les ouvriers sur site pour créer une forme de commune autarcique. Le sel étant un denrée très convoitée a l’époque pour la preservation de la nourriture, il était logique de protéger les revenus de la Gabelle de la Ferme Générale en contrôlant l’accès à la saline et en limitant les allées et venues des ouvriers.
A noter, la maison du directeur qui occupe la place centrale de la Saline, comporte des éléments architecturaux qui la distingue du reste, tels que les colonnes a sections carrées et ronde ainsi que l’oculus démesuré au milieu du frontispice, mettent en evidence l’importance de cet edifice par rapport au reste du complexe.
L’heritage de Ledoux reste composé principalement de projets non-construits, la saline étant un des rares complexes qu’il a pu voir bâti. Après la chute de l’ancien regime, Ledoux se concentra sur la conception de villes idéales et de projets spéculatifs, car ayant été un architecte disposant des faveur du roi, il sombra dans l’obscurité, jusqu’a ce qu’il fut redécouvert bien plus tard, au vingtième siècle.
Covered porch of a production building | Colonnade d'un bâtiment de production.